Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

A Shoutout for the Authors Guild

I'm always encouraging fellow writers to join the Authors Guild for the legal services and the invaluable Model Trade Book Contract and Commentary (we're talking super crunchy boilerplate, much more than is available on the webpage, and whether you work with an agent or not, yes, you can keep your wits about you when they start talking about subrights clauses that sound like Masonic incantation). But it does cost more than the price of a hamburger dinner for seven to join, and I was just thinking, gosh, they really should offer a member directory with a little more oomph, when lo, that very invitation to fill out my new page arrived in the inbox! 

It was easy to do and it is elegantly designed. If you join, your page would like this this:


Author's Guild Member Page for Yours Truly


My one criticism of the Author's Guild is that it's oriented toward those with traditional publishers, yet these days, increasing numbers of even the most impressively published writers are becoming "hybrid," that is, going to ye olde publishers for some works, and self-publishing others as Kindles, PODs, and more. No doubt, I am one of many authors, whether current or prospective members of the Authors Guild, who would warmly welcome more information and support for the latter.

That said-- so I hear from other members-- the Authors Guild author webpage services (check out Neal Gillen's and Sara Mansfield Taber's) and Backinprint.com program (see Sophy Burnham's The Art Crowd, for example) are very good.

> Your COMMENTS are always welcome.









Cyberflanerie: Pita "dessssssspota" Amor, 100 Years Ago, Bay Area Shellmounds, Silicon Valley Solutionism, Nobody Knows What The Hell Is Happening

Pita Amor recites her poetry. (If you don't speak Spanish, ni modo, this is a must-watch).
P.S. My interview with her biographer, Michael K. Schuessler.

German-American Historian of Mexico Heribert von Feilitzsch on Why We Should Care About What Happened 100 Years Ago

I grew up in the San Francisco Bay Area and this is the first I've heard of the Bay Area Shellmounds (which, in itself, says volumes).

Lloyd Kahn on Wild Foods from Berkeley and Oakland

Literal magazine covers Silicon Valley Solutionism

Writerly quote du jour:


"Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other's work as much as possible." 

From "Things I Can Say About MFA Writing Programs Now That I No Longer Teach in One" by Ryan Boudinot. 

P.S. Read my blog post on making PODs.

Your COMMENTS are always welcome.

Traditional + Indie = Hybrid Publishing: Three Authors Dish at Jane Friedman's Blog

I'm not the only one (my previous publishers include University of Georgia Press, University of Utah Press,  Milkweed Editions, Whereabouts Press, Unbridled Books, and in Spanish, Planeta and Random House-Mondadori) now going indie. Maybe that long list of publishers sounds impressive; I think it's evidence of the crack-up in the publishing industry. Read about three other authors' indie adventures over at Jane Friedman's excellent blog:



(I already linked to Leslie Well's article in this previous post, noting that her book's cover was one of the best I've yet seen for a Kindle.)

COMMENTS always welcome.

+ + + + + + + +

SURF ON
> 30 Deadly-Effective Ways to Free Up Bits, Drips & Gimungously Vast Swaths of Time for Writing
> Cyberflanerie: Writerly Whatnot Edition
> Cyberflanerie: Epic Travel Edition
> Self-Publishing for All the Right Reasons (Reporting on The Writer's Centers "Publish Now!" Seminar)
> Guest-blogger Regina Leeds on 5+1 Resources to Make a Writer Happy in an Organized Space

And on the home page, www.cmmayo.com:
>Giant Golden Buddha & 364 More Free 5 Minute Writing Exercises
>Recommended Reading on Craft
>The Manuscript is Finished --(or is It?)-- Now What?
> Once-in-a-purple moon newsletter

New Vessel Press: Read Your Way Around the World

As a literary translator and long-ago editor of the now-defunct Tameme, I sat up and took serious notice of this beautiful new effort out of New York: New Vessel Press. Warmest wishes to you! Dear readers, do check this out.



COMMENTS always welcome
More anon. I have been in IngramSpark purgatory all day long. Grrr.

SURF ON:
>Around the World with Madam Mayo: Summer Travel Reading
>Celebrating Literal: My Talk from the Feria Internacional de Libros
>Largehearted Boy Playlist
>Why Aren't There More Readers?

Cyberflanerie: Writerly Whatnot Edition

Ellen Cassedy's generous & inspired monthly column of writing tips for She Writes
(P.S. Cassedy's guest-blog post for Madam Mayo, 5 Links to Learn Yiddish.)

Hugh Howey's Author Earnings


Jane Friedman shows the changing face of publishing in 5 charts

(This is why so much of my focus these past few years has been on publishing Kindles and making podcasts.)

The last installation of novelist Carmen Amato's Bookstores of the Future series

(P.S. My ancient ode to bookstores over at Red Room.)

Thank you, dear Gregory Gibson, one of my favorite writers and the best rare book dealer blogger, I am honored to find "Madam Mayo" on your blog roll at Bookman's Log.

Lucas Klein on Translation and Translation Studies as a Social Movement


SURF ON, BODACIOUS READER-WRITER:
That Andrew Wiley interview, again, because it just so totally floats my boat

COMMENTS always welcome.

Updating a Kindle and a Print-on-Demand Paperback: The Never Ending Story

In Days of Yore, when printing book meant 2,000 + copies shipped to a warehouse, the mistake of, say, having called Jorge Luis Borges "José Luis Borge" would remain in one's book and upon one's conscience (like an itchy scar) until the reprint-- which, for most books, never happened. And even if it did, one's publisher might not trouble to make corrections. But now, with digital print-on-demand paperbacks, and of course ebooks, fixing mistakes is like being able to text message your kids-- you never have to really let go! Wonderful! Terrible!

Back in the fall of 2011 I put up a Kindle edition of my translation of Francisco I. Madero's 1911 Manual espírita as Spiritist Manual. I gave a talk about it for the San Miguel de Allende's Author Sala in November of that year, and then another talk for PEN San Miguel in 2012 (link goes to the podcast). Why no paperback edition? I wasn't ready to commit because the five pages of introduction I offered with that first Kindle edition were OK, but rather like having recounted a multilayered mega-saga such as Anna Karenina in the teacup of a paragraph. I refer not so much to the Spiritist Manual itself but to the origins and spread of Spiritism, Madero's own life, and Madero's role in that movement and in Mexican history. For those of you don't follow this blog or Mexican history, Madero was the leader of the Mexican Revolution of 1910 and President of Mexico from 1911 to 1913, when he was assassinated. And the powerfully radical significance of his secret book, Spiritist Manual, cannot be appreciated without this, well, rather novelesque context.

Finally, late last year, I got that introduction done to my satisfaction. I took a breather over the holidays and then, in January, published it as a proper paperback: Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, Spiritist Manual. 

So back to the Kindle for an update. Librarians will sniff rather loudly that, with a different title and 200+ pages of new material, I should have used a new ISBN-- that is, published it as a different book. But I wanted the people who had bought the earlier version to be able to go to "Manage My Kindle" on their dashboard and get a free update.

So then what is the copyright year on this thing? Can it be entered in thus-and-such a competition as a first publication (or not)? A dozen wiggly little questions all over the place! But digital publishing isn't considered the Wild West for nothing. Ain't no sheriffs I can see. So I just went ahead and updated the same old Kindle-- same ISBN. And since January, I have updated the Kindle, fixing typos, adding a map, another book to the bibliography, oh… 5 or 6 times.  Just yesterday I fixed a couple of typos. (I swear, typos are evidence of parallel universes.)

It's so easy! I just go into Sigil, type in or delete what I want, then upload the epub file to Kindle Direct. A few hours later, bingo, it's live on amazon.com.

P.S. Why am I so enthusiastic about Kindles? This chart from Bowker (hat tip to Jane Friedman) says it all.




COMMENTS

What Is Happening to the Publishing Business? Watch Philip Evans' TED Talk: How Data Will Transform Business

A highly recommended, brief, business-oriented TED talkTake home point: the nature and role of institutions (plug in "publishing house" here) are defined by transactions costs. Transaction costs are plummeting because the economics of communicating and processing information are plummeting. Ergo, as Philip Evans puts it, "technology is driving the institutional boundaries beyond where we are used to thinking about them." 
After having published several books with publishers ranging from bloatedly large (Random House-Mondadori) and small (University of Georgia Press), I went ahead and self-published my most recent work, Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, Spiritist Manual. It wasn't that I couldn't sell it, I couldn't see, and I still cannot see, how it would make sense for me to do otherwise.

Evans talks about polarizing scale (little ol' me can publish a book out of my home office now) and the breaking up of the "value chain"-- value chain in the past as seen in a publishing house's multitude of employees, from acquiring editors to sales reps. But I can now very easily, at the click of a button, hire a freelance editor, freelance book designer, cover designer, and so on. As for printing, binding, distribution, and fulfillment, that's easy, too. And isn't all amazon. There will also be iTunes and Gumroad editions. And more.

But enough about the book biz. What will these sea-changes mean for how we buy food, clothing, and so many services? It's already very interesting. And I haven't set foot in a mall in an age.

Women Writing the West: A Wilder Rose Goes to the Library


One of the best things I have done for myself in the past year is join Women Writing the West. As a writer born in El Paso, Texas,  raised in northern California and now, though living in Mexico City, writing about Far West Texas, for me, it's a perfect fit. The listserv discussions and the blog-- anyone can read the Women Writing the West blog, do check it out-- have been invaluable. And some of the most useful information for me, as I embark on my adventures in publishing Metaphysical Odyssey Into the Mexican Revolution, has come from WWW member Susan Wittig Albert. Today on the WWW blog Susan shares her tips for shepherding a self-published book into libraries. As an ex-literary journal editor and previous self-publisher (with The Visitors / Los Visitantes), I can tell you, dear reader, getting self-published books into libraries is truly a species of alchemy. Herewith the arcanum:

The Wilder Rose Goes to the Library
By Susan Wittig Albert 
I’ve been writing traditionally-published fiction and nonfiction for nearly three decades. But this year, I decided to publish a stand-alone novel—A Wilder Rose—under my own imprint, Persevero Press. All things considered, I’m glad I chose to take this route, but there have been bumps. A few potholes. Big trees across the road. Getting the book into libraries, for example... CONTINUE READING