Showing posts with label Dancing Chiva. Show all posts
Showing posts with label Dancing Chiva. Show all posts

Austin, Ho! Publishing University


As a writer with several books traditionally published, and one aiming to place the next with a commercial or university press, what in thundernation am I doing signing up for the Independent Book Publishers Association's two day annual Publishing University


Pug-assisted. In a future blog post 
Uli and Washi will demonstrate
the number 1 book marketing
principle. 
Well, inspired by the likes of Kenneth Ackerman, Sophy Burnham, and Sandra Gulland, I have become what is called a "hybrid author," that is, an author who has some books with traditional publishers (in my case, University of Georgia Press, Milkweed Editions, Unbridled Books, Random-House Mondadori, etc) but others going out under one's own imprint (mine being Dancing Chiva). 

In particular, like many authors, these past few years I've been busy bringing out the electronic editions of some of my older works, published back in the days of yore when publishers didn't care about digital rights (what did they know, ha.  And yes, Miraculous Air in Kindle is selling like gorditas.) And more recently (for various reasons detailed in this talk for the American Literary Translator's Association), my own Dancing Chiva brought out both the Kindle and paperback editions of Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, Spiritist Manual.


Bright, charming and talented in multitudinous ways,
 my assistants do not do website updates.
Here they are asking, "You want us to do whut?

That said, I'd love to place my next books with a publisher who can do more for them than
I can with my own itsy-bitsy pug-assisted operation, and that may happen with the next novel and the work-in-progress on Far West Texas... we shall see. But the thing is, for the rest of my life, a long one I hope, many of my many books' editions may remain in my purview. So, I figure, I'd better grok this game.

I've learned a lot-- 2014 was my year of scrambling up the POD learning curve-- but undoubtedly I have more to learn, and since things are changing faster than a rocket to Mars, I guess it's just going to be (...sigh...) an ongoing process. But hey, I get to visit Planet Austin! Can't complain about that. 

Dear reader, if you are going to Publishing University, zap me an email or tweet @cmmayo1 or @dancingchiva. It would be grand to meet you in person there.

> Your COMMENTS are always welcome.









If I Can Podcast, So Can You

I've had so much fun podcasting, and giving a one day workshop for the Writer's Center on podcasting for writers, that I just turned my notes into an ebook: Podcasting for Writers & Other Creative Entrepreneurs (Dancing Chiva). Ten "easy peasy" steps to getting your unique podcast on-line-- and reaching your listeners. It will be available on Kindle next week, stay tuned (and iBook edition to come). Meanwhile, the webpage has been updated with the on-line introduction.

Apple has recently introduced a new podcast app-- look for podcasts to surge in 2013.
More reading:
>Dylan Love on The Best Podcast Apps Apple is Hiding from You
>Geoffrey Goetz on The Best of the Rest of iOS Podcasting Apps

P.S. My podcasts are all here. Listen in anytime. My iTunes podcasts updated here.


Madam Mayo Now Available on Kindle Blogs; A Note on the Evolution of Blogs

If you're a Kindle fan, now you can read Madam Mayo via Whispernet. Yet another brick falls from the edifice of Publishing As We Know It. When I started out as a writer more years a go than I'll admit (OK, it was in the Clinton Administration), my goal, apart from writing books, was to publish in large circulation magazines and newspapers, which I did, in fact, at first. I placed a piece in the LA Times and another in the Wall Street Journal; and also stories, essays, and poems in passels of literary journals from the Kenyon Review to the Paris Review. But that was then and this is now and now I just wanna blog-- and publish digital Kindle and iBook editions of longer, more formal essays and books.

But back to the blog. I started "Madam Mayo" back in March of 2006, more as a playful adventure than serious endeavor. How I relished not having to bother with query letters and editors! And I thought the blog's format, provided by blogger.com, looked mighty nice. It was remarkably different from maintaining a webpage-- bloggers read each other, commented on each others' pages and oh, it was jazzy what the search engines picked up.

Soon I was fascinated, perhaps even addicted to blogging. My blog's archive shows 211 entries that year. In 2007, I hopped up to 295 entries and in 2008, whoosh, up to 311.

Everything seemed yeasty and weird; this was, after all, the moment when not only blogging exploded, but YouTube, podcasting, Facebook, and Twitter took off. It was also a moment when I was actively promoting three books, hear ye, hear ye:

Mexico: A Traveler's Literary Companion (Whereabouts Press)
Miraculous Air: Journey of a Thousand Miles through Baja California (Milkweed Editions)
The Last Prince of the Mexican Empire (Unbridled Books)

Not to mention a literary magazine and my various writing workshops both at the Writer's Center outside DC and with Dancing Chiva in Mexico City.

But blogging at such a pace proved too much. In 2009, I began to cut back, with only 217 entries. By 2010 I had settled on a policy of Mondays only-ish and with guestbloggers, when available, on Wednesdays. By 2011 I was down to 140 posts for the year, and throughout this year I've averaged some 5 - 7 posts per month until-- what happened?-- I was back up to 13 for the month of September!

What happened was I'd seen a newspaper columnist somewhere assert that cyberflanerie is dead. Mangos! That's what my blog is, except when it's not-- lists of all the peculiar, fascinating, informative links I've surfed, for your surfing pleasure.

In sum, blogging is still so new a genre I'm still, after after more than six years, trying to get my mind around it.

I was trying to get my mind around it as far back as day one in 2006, and I blogged frequently on the topic for about two years. (In 2008, I made an archive of those posts as "Gone to the Litblogs"
http://madammayo.blogspot.com/2007/06/gone-to-litblogs-archive.html  >)

Here's the blog post from June 13, 2007
Gone to the Litblogs: Narrowcasting and Notes Towards a Taxonomy

Dinner conversation this evening with my amiga K., a DC writer who works in a media organization, about blogging. K. says the successful ones are narrowcasting, i.e., aiming a highly specific blog at a highly specific audience. Indeed: in the litblog world, a good example would be Wendi Kaufman's The Happy Booker, which focuses on news in literary Washington DC and environs. Novelist Leslie Pietrzyk's Work in Progress focuses on, yes, work in progress. In the news world--- for example, for news on Iraq--- a blog I often check in on is Informed Comment, in which University of Michigan Professor of Middle Eastern History Juan Cole offers a daily summary of and commentary on the news in the Middle East. They may not be the end all of the All on this Subject, but between Juan Cole and Col Pat Lang's Sic Semper Tyrannis, I get a better sense of what's going on in Iraq than from reading, say, the Washington Post. For example, last week, when Turkish troops invaded Iraq, to get a sense of what this meant, I skipped the papers and went immediately to these two blogs because (1) both Juan Cole and Col Pat Lang are highly knowledgable about this subject and (2) their blogs often go into far more depth than scant newsprint can. (Though now and again, Col. Pat Lang dips into movie reviewing and showcasing excerpts of his civil war novel...) But back to the litblog world: for literary travel writing, another excellent example of narrowcasting would be World Hum. What of Madam Mayo? I'd put this blog in the category of a Individual Artist Blog. It's about my work and what interests me, as an artist. Some other blogs in said category: David Byrne (musician), Margaret Cho (comedian),Moorish Girl (writer Laila Lalami), Coffee with Ken (Kenneth Ackerman, the writer/ historian/ lawyer). Last thought: It occurs to me that few people over the age of 30 have heard the term "narrowcasting." K. said the under 30s in her office didn't recognize the phrase "Drink the Kool-Aid." Interesting juxtaposition. Possibly meaningless. More anon.

UPDATE: In Clusterfuck Nation--- a hybrid (as per my defintions) of Narrowcasting (comments on current events as related to his book The Long Emergency) and Individual Artist Blog--- Jim Kunstler writes, that this is "a society of envious slobs deluded into thinking that they could become the next Trump if only the Baby Jeezus would whack them over the head with a sock-full of silver dollars." That's pretty much the tone throughout. Post up, bingo, 193 comments.


I never did take my own advice, if it was that. Madam Mayo is about anything and the kitchen sink but narrowcasting.

Funny, these days I don't follow that many litblogs (though I do maintain a hearty blogroll, as you'll see over to the right). Over morning coffee, after a browse through the New York Times and the FT,  if I feel the urge to peek  at the tottering zombie show that is the Euro, I'm most apt to check in with Swiss Miss, the Swiss designer in NYC, who offers such luscious photos and links celebrating good design, or the blog by Rose Rosetree, my favorite aura reader (her aura reading books are gold for any novelist, by the way), or marketing guru Seth Godin for his pithy and soulful advice du jour. But I was and am and will be a litblogger, blogging about books and all the wacky stuff that goes -- or might go into-- into mine. So stay tuned for more about Marfa, Texas, Cabeza de Vaca, biographies, the dead and undead, podcasts, guestblogs, and cyberflanerie galore. And book reviews, of course. One of these days I just might even come up with another book.

---> Sign up for your Kindle delivery here.

More from the Kindle store:

The Last Prince of the Mexican Empire

Miraculous Air

The Building of Quality (short story with interview)

From Mexico to Miramar or, Across the Lake of Oblivion (long travel essay)

Spiritist Manual: The Secret Book by Francisco I. 
Madero, Translated and Introduced by C.M. Mayo




More anon.

Interview by Jada Bradley for InReads.com

... in which I talk about Dancing Chiva and bringing some of my books into digital editions. Read the interview here.

More interviews about Dancing Chiva Literary Arts here.

More anon.

Dancing Chiva's Maximiliana, Richard Salvucci on How Google Disprespected Mexican History, and Catherine Clinton on Mary Chesnut

UPDATE over at my other blog, Maximilian ~ Carlota, where I share my research on Mexico's Second Empire / French Intervention of the 1860s:

This blog has been quiet lately because I've been preparing the launch this fall of several e-books, including a few works of Maximiliana, and the e-book of my novel in Spanish translation, El último príncipe del Imperio Mexicano. (View the complete catalog here and watch my brief video about e-book cover design here.) ...CONTINUE READING

At Play in the Fields of Keynote: On Designing Dancing Chiva's E-Book Covers



So what's Dancing Chiva? It's a company I set up a few years ago to do writing workshops, and recently expanded into publishing. Like many writers whose book contracts of yore left them the digital rights, I am bringing some of my already published books into new life as e-books. But with Dancing Chiva I am also publishing some new works as e-books, for example, a collection of blog posts on creative writing and my translation of Francisco I. Madero's Spritist Manual, as well as long out-of-print or, in some cases, never-before-published works of Maximiliana. Check out the Dancing Chiva catalog here.


AT PLAY IN THE FIELDS OF KEYNOTE:
A note on the covers by C.M. Mayo

As a writer, I've had the sometimes disconcerting (if othertimes also joyous) experience of having someone else—a person I have never met and perhaps never will—design the covers of my books. I am talking about the professional graphic designer. Book cover design is a specialty informed by both graphic design principles and marketing. A publisher wants a book cover that fits with their brand image and— everyone hopes— will fly off the shelves to the cash registers. Alas, though sometimes fortuitously, the author's vision for the cover is not always taken into consideration, and in fact, very few publishers will cede approval to the author in a book contract (believe me, I've tried). . .CONTINUE READING.



Follow Dancing Chiva Literary Arts on Twitter @dancingchiva




P.S. Tuesdays are the day I usually update the Maximilian ~ Carlota research-sharing blog, but, as you can see, I've been otherwise occupied. I still have several file cabinets worth of research to share there, and I'll get back to it, asap.

Spiritist Manual by Bhima (Francisco I. Madero)

My translation, the first into English, of Madero's Spiritist Manual is in the final polishing stages; meanwhile, here's the cover for the forthcoming e-book which will be published by Dancing Chiva later this year. The cover incorporates the painting "Gerbera and Eye" by San Miguel de Allende-based artist Kelley Vandiver.Want the news? I'll be sending out my newsletter soon. Sign up here.


UPDATE: October 15, 2011: The book now has its own website with extensive Q & A, as well as resources for researchers (bibliographies, lists of films, video, etc) and much more.

C.M. Mayo on Creative Writing: The Best from the Blog

You'll find a cornucopia of tips on craft, process, and publishing in this approximately 50 page e-book , a selection of my blog posts on creative writing here at Madam Mayo. It's a PDF download, free to anyone who signs up for the Dancing Chiva Literary Arts Club (also free-- read all about it here).

I founded Dancing Chiva Literary Arts a few years ago for my writing workshops in Mexico City; now it also publishes e-books and limited editions on Bajacaliforniana, Maximiliana, works for writers, and works by Yours Truly... No, I certainly have not given up on my publishers (most recently, Grijalbo Random House-Mondadori and Unbridled Books)--- but I will be publishing some of my own e-books (Kindle and iBook editions) as well as some works by others that deserve a readership, but do not enjoy the commercial potential for the rigamarole-o-rama of distributing to bricks-and-mortar bookstores. (One of these is Marie de la Fere's never-before-published memoir of Maximilian. Stay tuned.)

So what do you get when you join the Dancing Chiva Literary Arts Club-- aside from the free e-book? Basically, a newsletter sent to your e-mail some 5 - 6 times per year (and very probably less often) with news, discounts, offers, bodacious links, and more. I aim to make the newsletter something you'll relish receiving-- the kind of surfable fun to save for when you have a sandwich at your desk. (Yes, there will be podcasts and book arts links.)

P.S. I don't share the e-mails on the mailing list with anyone, and I use mailchimp.com, a leading e-mail newsletter service, which allows you to opt out instantly, anytime.

To sign up and / or download the e-book, just click here. Once you sign up, you'll automatically receive the link to download the PDF and the password to read it.

Llama Font: Because It's True, Lamas Make Everything Better

Via Swiss Miss, behold: Llama Font. Here is Dancing Chiva (my publishing co, which specializes in e-books and limited editions on Bajacaliforniana, Maximiliana, and works for writers) in llama font:



Why llama font? Click here to see how it makes everything better.

P.S. Sign up for Dancing Chiva's bodacious newsletter here.

More anon.