Traditional + Indie = Hybrid Publishing: Three Authors Dish at Jane Friedman's Blog

I'm not the only one (my previous publishers include University of Georgia Press, University of Utah Press,  Milkweed Editions, Whereabouts Press, Unbridled Books, and in Spanish, Planeta and Random House-Mondadori) now going indie. Maybe that long list of publishers sounds impressive; I think it's evidence of the crack-up in the publishing industry. Read about three other authors' indie adventures over at Jane Friedman's excellent blog:

Eileen Goudge: "Why I Made the Leap from Traditional Publishing to Indie" 

Claire Cook: "Why I Left My Mighty Agency and New York Publisher (For Now)" 

Leslie Wells: "A New York Editor Goes Indie"

(I already linked to Leslie Well's article in this previous post, noting that her book's cover was one of the best I've yet seen for a Kindle.)

COMMENTS always welcome.

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SURF ON

> 30 Deadly-Effective Ways to Free Up Bits, Drips & Gimungously Vast Swaths of Time for Writing

> Cyberflanerie: Writerly Whatnot Edition

> Cyberflanerie: Epic Travel Edition

> Self-Publishing for All the Right Reasons (Reporting on The Writer's Centers "Publish Now!" Seminar)

> Guest-blogger Regina Leeds on 5+1 Resources to Make a Writer Happy in an Organized Space

And on the home page, www.cmmayo.com:

>Giant Golden Buddha & 364 More Free 5 Minute Writing Exercises

>Recommended Reading on Craft

>The Manuscript is Finished --(or is It?)-- Now What?

> Once-in-a-purple moon newsletter

Cyberflanerie: Writerly Edition (Aimee Bender, Claire Cook, Djerassi, Historical Novelists Society, Guadalupe Loaeza, Leslie Pietrzyk & More)

Pictured left, my handsome new writing assistant, Uli Quetzalpugtl. Right now he is specializing in mind-clearing walks. He will be four months old on the 25th. Yes, he is a pug. Yes, those are his real eyebrows. 

Aimee Bender on What Writers Can Learn from Good Night Moon
(Hat tip to @portershreve)

Claire Cook on Why I Left My Mighty Agency and New York Publishers (For Now) on Jane Friedman's Blog (well worth reading, and Yours Truly left a lengthy comment.)

Djerassi Resident Artists Program
> Watch a brief introductory video

Day before yesterday I finally joined the Historical Novelists Society, thanks to fellow members of Women Writing the West suggesting it. Joining Women Writing the West was one of the best things I did last year. I may have been publishing for over 20 years, but everything in publishing has so changed in the past few years… fellow members' advice on the listserv has been invaluable. 

Uli visits the childhood home of Willa Cather,
Red Cloud, Nebraska, June 2014.
What can I say, Uli has good taste in authors.
(He does try to chew my hand, after all.)

Here's what really impressed me about the Historical Novelists Society: their webpage is completely automated. I was able to pay, add my bio, and see my member listing without waiting for anyone to get back to me, bingo. (Such is life in the time of the bots…)

Yesterday I was interviewed for Mexico City's MVN radio live by Mexican writer Guadalupe Loaeza about Mexico's Second Empire / French Intervention and my novel El último príncipe del Imperio Mexicano (Agustín Cadena's translation of my novel, The Last Prince of the Mexican Empire), fue una verdadera delicia. Hope to have that link to the podcast by tomorrow. (P.S. Back in 2006, I translated a bit of Loaeza's hilarious classic on Mexico City's Polanco neighborhood for my anthology Mexico: A Traveler's Literary Companion). By the way, Loaeza's website takes a moment to load because it's got all this flash. Be patient... it's worth taking a look at. 

My amiga novelist Leslie Pietrzyk on the writing life: it really is a bowl of cherries.

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SURF ON, DEAR WRITERLY READER

30 Deadly Effective Ways to Free Up Bits, Drips & Gimungously Vast Swaths of Time for Writing

Giant Golden Buddha & 364 More Free 5 Minute Writing Exercises

Regina Leeds Guest-Blog for Madam Mayo 5 + 1 Resources to Make a Writer Happy in an Organized Space

Conversations with Other Writers podcast series