Showing posts with label Janice Eidus. Show all posts
Showing posts with label Janice Eidus. Show all posts

Guest-blogger Jim Johnston on Mexico City’s Centro Histórico: Five things to see with your feet off the ground

Born in New York City, Jim Johnston grew up in the woods of New Hampshire. After studying architecture at the University of Virginia and graphic design at the School of Visual Arts, he worked as a professional artist and potter in New York City for 27 years. He moved to Mexico in 1997, where he continues working as an artist and writer. A few years ago, I was fortunate to make his acquaintance through our mutual friend, the writer Janice Eidus, and I've been a fan ever since.
I follow and warmly recommend his blog, Mexico City: An Opinionated Guide, which has the same title as his book. If you're going to visit Mexico City or, especially, if you happen to live here, get your copy from amazon.com.


Mexico City Centro Histórico:
Five things to see with your feet off the ground

By Jim Johnston


My first visit in 1989 to Mexico City's Centro Histórico was scary. Teeming with manic energy in the daytime, the streets became eerily empty at night. Scars from the 1985 earthquake were evident: tall buildings stood abandoned, gaping holes in the pavement defied you to pass. There were rumors of thieves lurking in doorways and kidnappers prowling in taxis. But as a rule, I like any town that's more than 700 years old and still cookin’. So, of course, I fell for Mexico City, hook, line and molcajete.

Mexico is a city that wears its age well. It’s got Aztec splendor and ruin, Spanish majesty and bombast, 50’s modernism, quirky time-warp shops, smoke tinged cantinas, excellent museums, and street life that never stops.

In the past five years, the Centro Histórico of Mexico City (A UNESCO World Heritage Site) has been transformed. It's busy night and day, and looking better than ever. There are increased security measures, new paving and lighting; hundreds of old buildings have been plastered and painted (gracias a Carlos Slim). New museums, hotels, restaurants, outdoor cafés and shops have opened. Several streets are now traffic-free pedestrian zones (check out 5 de Mayo, Motolinia, and Regina). You can now ride your eco-bici to the centro. New bars and dance clubs are drawing young crowds on weekend nights. It seems like every time I visit (about once a week) I see something new. But one thing hasn't changed-- the intense level of energy on the street, which can excite and exhaust in equal measure.

What to do? I like to take my feet off the ground.

Here are a few tips for keeping above the fray--5 places in the Centro Histórico that are above street level, semi-hidden places I’ve discovered over the years that you are sure to enjoy.


1. Sears Cafe
Go up to the 8th floor of the Sears store, just across from the Palacio de Bellas Artes. The coffee is good and the view is great.

2. Museum of Architecture
Take the elevator to the very top of the Palacio de Bellas Artes (separate ticket required). The changing exhibits on Mexican architecture are OK, but the real treat here is the surprising view you get of the building itself.

3. Pasteleria Ideal (16 de Septiembre #18)
Upstairs, this ‘world of cakes’ is one of the city’s great surreal spots.

4. Shoe Museum
Bolivar #27) Above the venerable Borcegui shoe store is this entertaining mini-museum.

5. Studio of Joaquin Clausell
(Museo de la Ciudad, Pino Suarez #30 at El Salvador). Tucked away on the second floor of this exquisite colonial mansion is the former studio of Joaquin Clausell (1866-1935), a Mexican impressionist painter. For years he used the walls of his studio as a sketchbook, and the result is a delightful mural of overlapping paintings and sketches.

Above and beyond the Centro Histórico you can tour the major attractions in Mexico City on the Turibus. The open top deck affords great views and a wonderful feeling of being above all the hustle and bustle. Click here for information.

-- Jim Johnston


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---> For the complete archive of Madam Mayo guest-blog posts, click here.

Susan Coll's 5 Favorite Comic Novels



The best novelists are sociologists with a wicked sense of humor. In her widely celebrated novels Beach Week, Acceptance, and Rockville Pike, my amiga Susan Coll has upward-striving suburbia nailed. This month Picador has released the paperback edition of Beach Week, so click on through and get your chuckles. Here's what this master of the genre has to say about some of her own comic reading. Over to you, Susan.

Now there is a pig in this world named “Super Sad True Love Story,” the thought of which is nearly as funny as Gary Shteyngart’s self-same novel, winner of this year’s Bollinger Everyman Wodehouse Prize for Comic Fiction. It’s encouraging to see an American--even one who came by way of Russia--win this award, which usually goes to a Brit. A few pages into Super Sad it occured to me that this book does have something of a British sensibility in that Shteyngart's humor relies on the mortification of his male protagonist. This got me thinking about my favorite comic novels--or at least books that had me doubled over in laughter, and I have to confess that the British do seem to have a lock on the sort of droll, dark humor that typically does me in. As do, apparently, men--which is at least the sort of observation that helps get me out of bed and to my keyboard each morning.

1. Our Man in Havana, By Graham Greene (1958), in which a cash-strapped vacuum cleaner salesman in Cuba is pressed into service by British intelligence to hilarious effect, and which, I only just learned from Wikipedia, was made into not just a film but an opera and a play.

2. Burmese Days, by George Orwell (1934), which you can read free, on-line, and which amazon describes as a mix of E.M. Forster and Jane Austen. “Stir in a bit of socialist doctrine, a sprig of satire, strong Indian curry, and a couple quarts of good English gin and you get something close to the flavor . . .”

3. A Good Man in Africa, by William Boyd (1982), about a hapless British diplomat in a fictitious African country in the fledgling days of independence. I wrote about this last summer for NPR: http://www.npr.org/templates/story/story.php?storyId=126501855

4. The Wimbledon Poisoner, by Nigel Williams (1994), a suburban comedy about a man who tries to murder his wife. Confession: I read this so long ago that really all I remember is my own hysterical laughter. While I can’t vouch for how well it holds up, I can tell you who borrowed my book and failed to give it back, so perhaps you can consult with him.

5. Memories of the Ford Administration, by John Updike (1992). Odd that Updike, not known for his comedy, should be the token American on my list. I worked up the nerve to approach him at a conference many years ago, and told him how much I loved this novel. He seemed surprised, and said something about having almost forgotten writing it. I later told this to a book critic who scoffed and said, “minor Updike.” Minor Updike! The definition of an oxymoron? Or the fate, too often, of comic fiction?

--- Susan Coll


---> For the archive of Madam Mayo guest blog posts, click here.
Previous guest-blogger novelists include Janice Eidus; Sandra Gulland; Daniel Olivas; Leslie Pietrzyk; Joanna Smith Rakoff; and Porter Shreve.