Showing posts with label podcast. Show all posts
Showing posts with label podcast. Show all posts

John Tutino: "We need Mexico as an other. We can't deal with it as an us."

Slowly but surely the transcripts from my Marfa Mondays Podcasting Project are going on-line. Now available: 

#13 “Looking at Mexico in New Ways: An Interview with John Tutino."

John Tutino: "We need Mexico as an other. We can't deal with it as an us." But his whole point is that, in fact, US and Mexico are inseparable. It's a knock-your-huaraches-off interview.

> Listen in to the podcast.

TRANSCRIPT

[MUSIC]

C.M. Mayo: Welcome to Marfa Mondays. I’m your host, C.M. Mayo and this is Podcast 13 of a projected 24 podcasts exploring Marfa and the wider Big Bend region, apropos of my book-in-progress about Far West Texas. So far in the series I’ve interviewed people in and around Marfa and also reported on my visits to some very remote and intriguing places in the Big Bend, most recently, interviews with Dallas Baxter, founder of Cenizo Journal; and with luthier and cowboy poet singing some cowboy songs, Michael Stevens; and a visit to Swan House, Simone Swan’s adobe teaching house, inspired by the legacy of Egypt’s greatest architect, Hassan Fathy. I invite you to listen to these podcasts and all the others anytime at my website, cmmayo.com, and through the website, send in your comments. I’m always delighted to hear from listeners. 

[MUSIC]

Now in this podcast I take a big step back to get some perspective— big perspective. Bigger than Texas perspective. Those of you who know Far West Texas know how close Mexico is in every sense. Look at a map and you’ll see, from Marfa it’s only a little more than an hour’s drive to Presidio, which sits on the Rio Grande; cross over and there you are: Mexico. That’s what we’re going to hear about in this interview with John Tutino. 

John Tutino teaches the history of Mexico and the Americas in the History Department and School of Foreign Service at Georgetown University in Washington, D.C. He’s the author of Making a New World: Founding Capitalism in the Bajío and Spanish North America, which was published by Duke University Press in 2011. Tutino is also the editor of a collection of essays by various historians with the title Mexico and Mexicans in the Making of the United States, and that is available from University of Texas Press. This interview was recorded in his office at Georgetown University. 

[MUSIC]

C.M. Mayo: We have Making a New World and the related anthology Mexico and the Mexicans in the Making of the United States. These are closely related, and they are both nuclear bombs! 

John Tutino: Thank you!

C.M. Mayo: They’re huge paradigm-busting... across from the beginning when we had the expansion of New Spain in the 1500s to modern day immigration. My head is reeling with all this stuff that’s in these two books!

John Tutino: And I will say, you're right, they evolved together. They were a long time coming, decades in the rumination and a decade plus in the focused production. And yeah, I got to the point where I said, “The whole basic big picture of where we thought Mexico fit in the world is somewhere between wrong and mythical. And you can’t change that by chipping away at the edges and saying, look at this little piece.” 

And so I ended up writing Making a New World to just try to say, “New Spain, which is the root of Mexico, was absolutely an pivotal place to the origins of the modern world, modern capitalism, and equally absolutely pivotal to the origins of the United States.” And I was working on one when I figured out the other. 

C.M. Mayo: My sense is that in Anglo-American culture, we’ve always had this idea that, here is American history over here, and here is Mexican history over here, and yes, there was war and there was this and there was that, but you could like put a little bell jar on top of each subject, and what you're saying, and I know is true, is that, no, you have to look at them together. 

John Tutino: Yeah. I will tell you a story. I, years ago, put together a NEH [National Endowment for the Humanties] Summer Seminar for school teachers on the interrelated histories of Mexico and the United States. NEH, the grant proposal group, approved it. They wanted to fund it, but the staff at NEH refused my title, which was “Inseparable Histories: Mexico and the United States.” They said I could teach the seminar— this was in the early ‘90s— not having the primary title “Inseparable Histories,”  and I tactically said, “Well, I want to do the seminar. I’ll negotiate the title.” But that’s the extent that this goes there. 

But I will also add that particularly the argument that New Spain was fundamental to the origins of modern capitalism and that it was, particularly in its north, one of the earliest, most dynamic capitalist places on Earth, is equally challenging a lot of Mexican scholars. 

C.M. Mayo: Oh, yes.


John Tutino: They have sort of bought into a notion, they have been trained in a notion, that Mexico had its base in great Pre-hispanic societies that were destroyed by Spanish colonialism for three centuries, and then there has been a struggle to reconstitute something positive. And boy, there were destructions in early 16th century, though I argue they’re more disease driven than anything any human could impose. And yes, there have been struggles, but people have... I don’t fully understand, why not glory in the... You know, it’s a typical history, it’s a history of enormous economic dynamism and thus enormous conflict, change, human greatness, human exploitation, human difficulty, but it sort of puts New Spain and Mexico, I believe, at the absolute mainstream of modern history. 

C.M. Mayo: So, in other words is as you call “this enduring presumption” was that capitalism started with England. 

John Tutino: With England. 

C.M. Mayo: And North America, and this is what we’ve been told in school and Adam Smith, and...

John Tutino: It has been the Anglo American gift to the world. 

C.M. Mayo: Would you say gift or plague?

John Tutino: Well, either way. If you ask Anglo Americans, it’s their gift to the world. If you ask people who’ve experienced it without prosperity... And this is part of what I try to do. I think too often we argue that capitalism is easily the most positive thing the world has ever seen or it’s the most dastardly thing the world has ever seen, and I just see capitalism as a dominant historical reality with enormous creativities, positives, productive gains and, linked to it, changing rounds of difficulties, conflicts, human difficulties, exploitations, and we’ve got to quit arguing one against the other. We’ve got to figure out how to maximize one, minimize the other, but as a historian I just want to understand it. 

In terms of that I should emphasize, in terms of taking Anglocentrism away from the study of global capitalism, I have jumped on a bandwagon there. It really came out of Asianists. One part, Andre Gunder Frank who started writing on Latin America years ago, then went to China and wrote a book called ReOrient, and Kenneth Pomeranz, who wrote a book called The Great Divergence, and I will say Gunder Frank was more the cage-rattling ideologue and Pomeranz was more the careful historian. He’s currently, it took 10 years after the book, but he’s now president of the American Historical Association. But the two of them together right around the year 2000 said, in 1600 China was the dominant economy in the world, Western Europe was a minor player and they contended for three centuries, and before 1800 nothing made it certain that Europe was going to rise to dominance and Asia was going to fade. It was a historical give and take, and then some particular things happened around 1800 that shift this. They were debating this and they were all recognizing that silver was pivotal to this world economy.

C.M. Mayo: Right. So China was demanding it—

John Tutino: Was the place demanding...the silver that went to Europe ended up in China.

C.M. Mayo: So this is the silver from Peru and from Mexico. 

John Tutino: Mexico. Scholars show for most of three centuries two-thirds of it passed east to Europe, but ended up passing through the Middle East, South Asia, and ends up in China. A third of it goes directly to Manila and ends up in China.

C.M. Mayo: Through Acapulco on the Nao de China... [Manila Galleon]

John Tutino: Acapulco to Manila. And people always ask, “Why is Manila part of the Spanish empire?” It was a city of Chinese merchants under Spanish sovereignty who traded goods not just from China but from India, Indonesia, and sent them back. Have you ever been to what is now the Museo del Virreinato in Tepotzotlan on the road?

C.M. Mayo: Yes, just north of Mexico City.

John Tutino: North of Mexico City. There are two rooms there of Chinese-Christian-Asian art that were all brought back by the Jesuits because that was their colonial... It is the best way to see the wealth of China that was brought to New Spain by that silver, is to just go through those rooms in Tepotzotlan. 

C.M. Mayo: And this doesn’t fit with the image of Mexico in Anglo-American cultural history or our modern media at all. 

John Tutino: As a backward, exploited, crushed environment that Spanish colonialism just ground to nothing! And one of the ironies is... and we have a hard time thinking about it. So New Spain, I argue, was probably one of the three core regions of early modern capitalism, while Spain, its mother country, was in decline. And we’ve just got to learn to get over the presumption that Spain could be in decline as a European power but New Spain could be just flourishing. 

C.M. Mayo: What I loved about the opening of your book, Making a New World, was you start talking about...to illustrate your points, the individual biographies of several people in the very important city of Querétaro. And as a bit of digression I want to say, I’m an American and I’ve been living in Mexico all these years, and I come back and forth frequently, and it is very rare that anybody in the U.S. has even heard of Querétaro, and yet Querétaro plays a central role in the development of the Mexican economy from almost the very beginning. 

John Tutino: I will note it’s also coming back. It may be the single most dynamic place under the current NAFTA-driven economic revival. And Querétaro really became probably my favorite place in Mexico in the process of writing this book. 

I had been introduced to Mexico as a 17-year-old kid going to San Miguel de Allende and I’d lived for a full year in Mexico City, lots of time in other central Mexico places, most of all in Mexico City, but when I started doing this and started spending between two weeks to a month every year in Querétaro, and the mix of its colonial heritage and its modern dynamism just made it. It isn’t a museum like San Miguel. My apologies to the San Miguel tourist bureau. [Laughs] It’s a real dynamic city but with a wonderful historic arc. 

The argument is that this dynamism is there and that it is charging north.

C.M. Mayo: Well, can we come back just for a minute to those individual biographies in and around Querétaro, part of the Bajío, which includes San Miguel de Allende.

John Tutino: Guanajuato. 

C.M. Mayo: León, Celaya. 

John Tutino: Yes. 

C.M. Mayo: It’s a group of cities north of Mexico City, kind of in the very heart of Mexico. 

John Tutino: It is absolutely the richest agricultural land in Mexico. Historically the richest mines in Mexico were in Guanajuato, and with the mix of those two, Querétaro was the richest trade and industrial city in Querétaro.

C.M. Mayo: Oh, and Zacatecas.

John Tutino: Zacatecas isn’t quite Bajío in Mexican parlance because it’s north, it’s dry, but the Bajío fed it because, precisely, Zacatecas is mining wealth in dry uplands. Where did Zacatecas get its food? So the Bajío is also in a sense sustaining places like Zacatecas.

C.M. Mayo: So when we look at the beginnings of Querétaro and this economic engine that’s going to feed the northward expansion of New Spain, one of the biographies that you talked about was José Sánchez Espinosa. There was another little one in there about an Italian count...

John Tutino: Yes, Colombini. And later in the book there’s huge excerpts from a poem he wrote in honor of Our Lady of Pueblito, the local Otomí virgin who historically and still in many ways centers popular devotions in Querétaro, the way Guadalupe has historically around Mexico City. 

Let me quickly go through my favorite vignette. The first one is Connín. Connín is an Otomí trader, frontiersman. He had traded across the frontier into the land of the Chichimecas. When Spaniards came he claimed to have been a lord; we don’t know if he really was but he was able to mobilize followers with a little bit of army, a little bit of settlement, and he, an Otomí trader or lord with somewhere between dozens and a few hundred Otomí friends, relatives, villagers recruited only a couple of Spanish Franciscan friars, and while literally Spaniards are still trying to conquer Mexico City, they go north and found Querétaro. And so Querétaro is actually an Otomí foundation with Catholic Franciscan sanction under Spanish rule. And for the first 30 years Querétaro is an Otomí city. Other than a priest or two there’s nobody else there. They build the irrigation. They build grist mills. They built the town. They distribute the land. And Connín and his pals take large landed estates for themselves, but they make sure their followers all have these incredibly rich irrigated gardens at the core of the city, and of course, he very quickly... he can’t remain Connín, he’s baptized and he becomes Don Fernando de Tapia. 

C.M. Mayo: And what amazed me about Don Fernando de Tapia is, you give the little biography and one reads along, da-da, da-da, da-da, he did this, he did that, his daughter...

John Tutino: And you think he’s got to be a Spanish conquerer.

C.M. Mayo: He’s got to be a Spanish conquerer and it turns out, no! He’s an Otomí trader who used to be called Connín!

John Tutino: And it is the perfect example of how indigenous people weren’t always broken. They saw opportunity.


C.M. Mayo: It’s a more complex story than what we’re told at a public level. [CONTINUE READING THIS TRANSCRIPT]

Listen in to this podcast

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New Transcript Just Posted: Marfa Mondays Podcast #15 Gifts of the Ancient Ones: Greg Williams on the Rock Art of the Lower Pecos Canyonlands

Slowly but surely, my many podcasts, including the Marfa Mondays Podcasting Project interviews, are getting transcribed. The latest transcription posted is one of my very favorite Marfa Mondays interviews, with Rock Art Foundation Executive Director Greg Williams, recorded last August 2014 at Meyers Spring ranch near Dryden, Texas-- just a scoonch west of the Pecos. 
[MUSIC]
C.M. Mayo: Welcome to Marfa Mondays Podcast number 15 of a projected 24 podcasts exploring Marfa, Texas and the greater Big Bend region of Far West Texas, apropos of my book-in-progress. I'm your host, C.M. Mayo, and on my webpage, cmmayo.com, you can listen in to all the podcasts anytime for free, and also there you can find out about my several other books.
The most recent book is the reason these podcasts have been coming along a little more slowly this year. That book, which is done and now available in paperback and e-book formats, is Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, Spiritist Manual. For those rusty on their Mexican history, Francisco Maderowas the leader of Mexico's 1910 Revolution and he was president of Mexico from 1911 to 1913, so his so-called secret book, which I translated into English, is in many ways quite illuminating.
This podcast is of my interview with Greg Williams, executive director of the Rock Art Foundation. It was recorded on August 30, 2014 at Meyers Spring Ranch on the conclusion of a four hour tour of the rock art there and of the restored house of the military commander at Camp Meyers.
Meyers Spring is one of a multitude of rock art sites in the Lower Pecos Canyonlands, a region around the confluence of the Pecos River and the Rio Grande and extending south into Mexican state of Coahuila— by the way, the native state of none other than Francisco Madero. In this region, to quote Harry J. Shafer in the introduction to his anthology, Painters in Prehistory: Archaeology and Art of the Lower Pecos Canyonlands, "Magnificent polychrome, pictographic images, panels, and murals exist that rival any in the world."
Meyers Spring, which I toured with the Rock Art Foundation, is on private property a few miles drive from the tiny border town of Dryden, Texas. To quote from the Rock Art Foundation's website, rockart.org, "Meyers Spring is an isolated water hole in the arid lands west of the Pecos. Brilliant red paintings overlook a permanent pool of water sheltered only by a shallow overhang. Although faded remnants of much older pictographs can still be detected, the majority are attributable to Plains Indians who were latecomers to the region."
You can view pictures of Meyer Spring and other rock art sites on the website rockart.org, and for more about the rock art I can also recommend the books Painters in Prehistory, edited by Harry J. Shafer, and Rock Art of the Lower Pecos by Carolyn E. Boyd.
Before we go to the interview with Greg Williams, executive director of the Rock Art Foundation, an apology for the sound. There's a bit of a roar which would be the very necessary air conditioner. This was recorded in the kitchen of the ranch house so people were coming in and out and there was some target shooting going on from the porch. I managed to edit out most of the shooting, but you'll still hear a few pops.
I would like to dedicate this podcast to my friend and neighbor in Tepoztlán, Mexico, Patty Hogan, because Patty, I am so grateful to you for putting me in touch with the Rock Art Foundation.
[MUSIC]
C.M. Mayo: Most people that I've talked to have never heard of rock art in this area, and yet there's a lot of it, and it's really important. Why is that?
Greg Williams: Probably the best way I could explain it is explain to you what happened to me. In 1991 in my business I was trying to have some photography done, and so I looked in the phonebook and I saw a man named Jim Zintgraff who is a well-known San Antonio photographer. I hired Jim, and we went out to a photo shoot, and the conversation kind of waned, and my son and I had been camping in West Texas for years, and so the only thing I really knew about that I thought Jim might be interested in is I brought up West Texas, and it went from there. Jim was the director of the Rock Art Foundation then. Jim passed away eight years ago and I became director following him. But what happened is this gentleman brought me and my wife to West Texas to see things that I had never even known about, and they were the remnants of a past culture, a culture that had existed in the Lower Pecos region of West Texas, which is the confluence of the Pecos and the Rio Grande, for twelve thousand years.
I had no idea that people lived out here for that long, And so we wandered around and we looked at the remnants of that culture. We looked at their lifeways, through the floors of these dry rock shelters, and we looked at their language, the stories that they wrote for us on the walls of these shelters, and we didn't know what they meant. You'd have to be in the mind of the artist to find that out, but you could sit and wonder about these folks who lived so long ago here and how hard the life must have been for them, in our context. For them it probably was not quite so difficult at all. They had plenty of food, plenty of water.
But what they left behind was remarkable and it's called rock art. It's a book, it's a story. Some of the images out here in West Texas, you can call them the oldest known books in North America. They are thousands of years old and as we look at cultures of people that exist today, the Huichol in northern central Mexico, the Native American populations around the country, and we look at their art, and we look at this four thousand-year-old ancient art that we have here, we begin to see similarities. We see Lower Pecos images in Mayan art, we see it in Aztec art, and by making all those comparisons you can kind of start to believe that you understand what these people have written, and what's in their book that they've left us....  CONTINUE READING THIS TRANSCRIPT  


> Listen in to this interview as a free podcast on podomatic


> Or listen (also free) on iTunes


> Visit the Marfa Mondays webpage for many more podcasts


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Sergio Troncoso on El Paso, Flannery O'Connor, Borges at Harvard, Zyklon-B, and Our Lost Border

Back in 2012 for my Conversations with Other Writers occasional podcast series, I posted a fascinating interview with novelist and essayist Sergio Troncoso. You can still listen to that interview anytime on podomatic or iTunes, and the news is, I've just posted the complete transcript.




There is also a transcript of my podcast interview with Rose Mary Salum.

More podcasts and transcripts of same are in-progress-- coming soon, more Marfa Mondays.

> Your COMMENTS are always welcome.

Cyberflanerie: PEN San Miguel, Rachel Laudan, Russia, Stephen Woodman, Textured Chocolates, Barbara Hero

My January 13, 2015 talk for PEN San Miguel in Bellas Artes, San Miguel de Allende, Mexico, about my new book, Metaphysical Odyssey into the Mexican Revolution, is now a podcast. >>Listen in here.<<

MORE HISTORY


Food historian Rachel Laudan Takes on Tiny Bubbles


Russia Before the Revolution (in Color)



MORE MEXICO


Stephen Woodman's Mexican Labyrinth: Temazcal Adventure



TEENAGERS & THE YOUNG AT HEART


A Teenager's take on social media

(My reaction: eew. Yes, I have FB, twitter, this blog, a website, a youtube channel and podcast, all in service of and/or as platform for my writing which is, entirely intentionally, public. But the idea of living my personal life so intensely mediated by "social media" just curls my toes. Yeah, I'm old. The thing is, not every innovation is better or for the wise. In my generation, for example, television watching vacuumed up hours, weeks, months, years.... I mean, I don't think that on my death bed I will I celebrate having watched reruns of "Batman"... And cigarette smoking was the fashion, until it wasn't. I remember pet rocks, too. A lot of stupid crap. Well, but most people do what most people do.)

The Hands of Georgia O'Keeffe



TED TALK DU JOUR


Ruth Chang's TED Talk on Hard Choices

(Note to college applicants: this is a must see.)


NEAT BUT KINDA MYSTERIOUS STUFF


Textured Chocolates


Submarine Sandwich


Barbara Hero's Pythagorean Lambdoma Harmonic Keyboard


>>Your COMMENTS are always welcome.


A Conversation with Mexican Writer Rose Mary Salum About Making Connections with Literature and Art

Listen in anytime to this fascinating podcast interview, part of my Conversations with Other Writers occasional series, with Mexican writer and editor  Rose Mary Salum, on founding Literal Magazine and Literal Publishing, and editing of the visionary anthology Delta de las arenas: cuentos árabes, cuentos judíos, a collection of Arab and Jewish stories from Latin America. Recorded in Mexico City, November 2013 and posted just last week. (Approximately 40 minutes.) Learn more about Rose Mary Salum's work at www.literalmagazine.com



So far the series features conversations with:

Sergio Troncoso on writing his latest novel, From This Wicked Patch of Dust; Chicano literature; the US-Mexico border; on writing for New York; reading; blogging; and 9/11. 

Michael K. Schuessler on Mexico's incomparable poet Guadalupe (Pita) Amor; her neice, Mexico's acclaimed novelist and journalist Elena Poniatowska; the baroque literary prodigy Sor Juana Inés de la Cruz; and the great friend of Mexico, the adventurous and passionate journalist Alma Reed, whose autobiography—a work vital to early 20th century Yucatecan history— Schuessler rescued from an abandoned closet. 

Edward Swift on his memoir My Grandfather's Finger and recent novel, The Daughter of the Doctor and the Saint, plus his Orphic journey to Texas's Big Thicket, Marguerite Young, Proust, Greenwich Village, and the wonders of Mexico's little-known Sierra Gorda. 

Sara Mansfield Taber, author of Born Under an Assumed Name: The Memoir of a Cold War Spy's Daughter, on her father's work in Asia, including his daring rescue of over a thousand Vietnamese after the fall of Vietnam to the Vietcong, and his disenchantment with the agency while working in Germany; Taber's childhood in Taiwan, highschool years in Washington DC during the Vietnam War; her previous books, including Bread of Three Rivers and Dusk on the Campo; other travel writers, reading as a writer; writing practice, and teaching writing.

Solveig Eggerz on her poetic novel Seal Woman, her unusual background (from Iceland to England to Germany to Alexandria, Virginia), Iceland's book culture, fairytales, and advice for writers.

>> Read more about the Conversations with Other Writers occasional podcast series.

I call it an "occasional series" because, well, it's very occasional. Over the past couple of years I have not posted any other conversations because I was writing Metaphsyical Odyssey into the Mexican Revolution (now out in paperback, ebook, and also in Spanish), and I am once again focussing on the Marfa Mondays Podcasts (16 so far of a projected 24). But I so love to do these interviews with my fellow writers, and I hope you will relish and learn from them as much as I have. Gracias, dear Rose Mary. Thank you, all.







Gifts of the Ancient Ones: Greg Williams on the Rock Art of the Lower Pecos Canyonlands



Marfa Mondays Podcast #15 is now live. Listen in anytime to my interview with Greg Williams, Executive Director of the Rock Art Foundation. Though the Rock Art Foundation's tours and website have been spreading the word, it still seems a well-kept secret that some of the most spectacular rock art in the world is tucked into the nooks and crannies of the Lower Pecos Canyonlands of Far West Texas (and into Coahuila, Mexico). I had the great privilege of being able to view some it, specifically, the rock art at Meyers Springs, through the tour offered by the Rock Art Foundation. My interview was recorded in the Meyers Springs Ranch house kitchen, just after the four hour tour (and target shooting had commenced).

Recommended reading:


Painters in Prehistory: Archaeology and Art of the Lower Pecos Canyonlands, edited by Harry J. Shafer

Rock Art of the Lower Pecos, by Carolyn E. Boyd



Your COMMENTS are always welcome.











> Listen in anytime to all the Marfa Mondays podcasts here



Rolf Potts on Time Wealth ( A Note)

ROLF POTTS
I first heard about travel writer Rolf Potts an eon ago, when he interviewed me about my travel memoir of Baja California, Miraculous Air, for his Vagabonding blog. Back then-- whew, it was maybe 2003 or 2004?-- the idea that another writer, on his own platform, would "publish" interviews was very avant-garde. How things have changed! 

(In part in emulation of Potts, I started my own occasional podcast series of Q & A with my favorite writer friends. So thanks, Rolf.)


TIM FERRISS
With his books and blog, Potts has garnered legions of fans over the years, including Tim Ferriss. Ferriss, the super-buff, tango-dancing, Mr Viral-Video, tree-climbing, globe-trotting author of the best-selling Four Hour Work Week, is the sort of author I'm usually allergic to (well, I sniff, how else will I ever get through my backlog of Willa Cather novels?). But Tim, I send you a cyber shower of jpeg lotus petals! Because, actually, I did read The Four Hour Work Week and gleaned some nifty ideas from it, and I quite enjoyed your recent podcast interview with Rolf Potts. In particular, I was heartened to hear you guys talking about "time wealth."
(In addition to more podcasts)
On my wish list for more exciting
baking experiences: the Yeti oven mitt

(Speaking of time wealth, while listening in, I was baking a pumpkin cake. I hereby award myself a prize.)

But seriously, I think about time wealth-- though until now I wouldn't have used that term-- all the time. It's the hours, quality hours, of one's life-- how to maximize the number and maximize their quality? Most  people assume that more money, more stuff, is the way. But as one climbs the curve of middle age, one starts to feel the drag of clutter, and the shrinking time-horizon. 

As they say, "your stuff owns you," for every single thing, whether big (a house) or small (a pair of shoes) requires both care (of some sort, at some point) and physical space. Trips to the mall, the dry cleaners, the grocery store, getting that light fixture fixed... I'm always asking myself, is this where I want to be? Is this what I want to be doing? I have so many books I want to write, and time rolls by at a frighteningly fast rate. 

One exercise that always brings me back to the best tactics to maximize time wealth is to imagine that I have, say, a hundred million dollars. Silly as it may sound, I recommend doing it seriously. 


As "the Estate Lady," Julie Hall,
reminds us, "the hearse doesn't
have a trailer hitch"
Really, what would you do if you had a hundred million dollars?  

Most people, once they get past their tittering at the helium in such an idea, blow through a long list of stuff-- a special car, a fabulous mansion, a this, a that... but then, past all the material objects, and a parade of imaginary butlers and masseuses (none of whom, ha, seem to require training, time off, any paperwork, inconvenient boyfriends or children, or annoying quirks), and then, oh yeah...

Giving away a wad of it to this relative, another wad to that charity... There's usually a long list of relatives, friends, and charities.

And then... then...

All of that exhausted, there is something else. 

Something the heart yearns for, and that, usually, doesn't require much money, if any. It might be time to read, just read, on a beautiful beach. The chance to paint. To write a novel. Make a film. Volunteer to help [fill in the blank]. And very often travel often comes up: to cross the country on a bike, to see India, or, say, hike the length of the Appalachian trail. 

The thing is, stuff-- whether the illusory lack of it, or the clutter of it-- has gotten in the way of seeing the heart's true, and for most people even of the most ordinary means, very attainable, path. 

Dear readers, check out Tim Ferriss' podcast interview with Rolf Potts. (Don't mind Ferriss' nattering on about his viral videos and his underwear. As we say in Mexico, no hay dos.)

P.S. Tim, you're a strange dude. But I sincerely appreciate your gusto for both learning and most especially, for teaching. (And don't bother with an MFA. Write from the heart. If you like Naomi Shihab Nye's poetry, your road is golden.)

Your COMMENTS are always welcome.















Miraculous Air: Journey of a Thousand Miles through Baja California, the Other Mexico: 




(from the workshop page)

Marfa Mondays #14: Over Burro Mesa / The Kickapoo Ambassadors

Just posted #14 of a projected 24 podcasts for the Marfa Mondays Podcasting Project, Exploring Marfa, TX & the Big Bend: "Over Burro Mesa / The Kickapoo Ambassadors." 

Listen in any time.




This podcast mentions Wilhelm Knechtel's book, Memorias del Jardinero de Maximiliano, translated by Susanne Igler. There's more about that on my other blog, the research blog on Mexico's French Intervention / Second Empire, "Maximilian-Carlota."

The next podcasts will be:
#15 an interview with rock art expert Greg Williams; and 
#16 an interview with photographer Paul Chaplo about his new book, Marfa Flights: Aerial Views of Big Bend Country. 

For updates, I invite you to subscribe to my newsletter.

P. S. Check out Chaplo's show at the Museum of the Big Bend until January 18, 2015.

COMMENTS always welcome.

















(review)

Looking at Mexico in New Ways: An Interview with John Tutino

John Tutino says, "The whole big picture of where we thought Mexico fit in the world is somewhere between wrong and mythical."

Marfa Mondays is back… put your seat belts on for this one hour in-depth interview with John Tutino, professor of History at Georgetown University and author of the award-winning paradigm-smasher Making a New World: Founding Capitalism in the Bajío and Spanish North America.

***Listen to the podcast anytime here.***

See also: My review for Literal of Tutino's two books, Making a New World and (as editor) Mexico and the Mexicans in the Making of the United States.

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Cyberflanerie: Break the Block Edition with Award-winning Writer Sara Mansfield Taber

My amiga, the fabulously talented writer
Sara Mansfield Taber
Creativity Coaching
and long-time writing workshop leader, Sara Taber is now offering creativity coaching. Here's what she has to say about it on her website:



This is my invitation to you: Come and talk about the life you want to have and the work you want to create. We will work together to make your visions real.
Sessions may include discussion of such issues as:
+ creative aspirations and creativity blocks
+ the isolation of the artist’s life
+ resistance, rejection, recognition, comparison, envy, and other artistic perplexities
+ work-family-creativity balance
+ life transitions
+ child-rearing and parenting
+ sandwich generation challenges: caring for elders, children, and partners, while trying to do one’s creative work
During the life coaching-creativity advising sessions, I provide, according to each person’s need: close listening, mentoring, structure, assignments, writing instruction, writing exercises, art-making activities—or a blend of them all.

There is much more on her website, including links to resources for writers.  Check it out, very highly recommended.

P.S. Listen to my podcast interview with Sara Taber about her many books, including the most recent award-winning memoir, Born Under an Assumed Name.

Marfa Mondays #10: A Visit to Swan House

Listen in to the podcast here of my lecture for PEN San Miguel on January 29, 2013 in San Miguel de Allende's Teatro Angela Peralta, about literary travel writing in the digital age and-- starting at about 15:00--  "A Visit to Swan House," my article in the current issue of Cenizo Journal, about adobe visionary Simone Swan's mysteriously beautiful teaching house near Presidio, on the US-Mexico border in Far West Texas.





"A Visit to Swan House" is #10 in the 24 podcast series.


#9 Mary Baxter, Painting the Big Bend

#8 A Spell at Chinati Hotsprings

#7 The Marfa Lights: We Have Seen the Lights

#6 Marfa's Moonlight Gemstones

#5 Cynthia McAlister, the Buzz on the Bees

#4 Avram Dumitrescu, An Artist in Alpine

#3 Mary Bones on the Lost Art Colony

#2 Charles Angell in the Big Bend

#1 Introduction and welcome

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***UPDATE Jan 2014: "A Visit to Swan House" is now available on-line.